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Great examples Mike.
Note the great light in both examples, the really low perspective with the Mazda, the sky reflections on the Jag, the indirect light on both, the fall BG on the Mazda, the OOF industrial BG in complementing color for the jag. Using a 50mm, he has to have an interesting BG or get closer to the car.
Mike understood his lens, understood composition and put them to good use.
When I use my zooms, I think, "tight or wide" and that's dictated by the strength of the BG. The stronger the BG, the wider I'll go, without Letting the main subject get too insignificant.
Dave
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